高尔基说:“语言是文学的第一要素。”作品的思想与感情只有借助语言的媒介才能表达出来。所以作者写作时十分注重锤炼语言。古人云:“吟安一个字,拈断数根须。”其推敲字句的艰苦可想而知。因而,我们阅读文学作品,就必须注意体会作品语言的意蕴。 对于作品的语言,尽管不必咬文嚼字地去读,但一些关键的字词,优美的句子,还是应该仔细琢磨,体会其中滋味。杜甫的诗句:“随风潜入夜,润物细无声。”这“潜”、“细”二字多么准确地写出了春雨温柔的性格,又多么巧妙的传达了作者对春雨的喜爱之情。李清照《声声慢》中的词句:“寻寻觅觅,冷冷清清,凄凄惨惨戚戚”,连用七个叠词,写出了內心多么悲凉与痛苦,堪称写愁苦主题的绝文。不仅诗 Gorky said: “Language is the first element of literature.” The thoughts and feelings of works can only be expressed through the medium of language. Therefore, the author pays great attention to tempering language when writing. The ancients said: “A word of Shu’an, cut off a few roots.” The hard work of squeezing words can be imagined. Therefore, when we read literary works, we must pay attention to the meaning of the works’ language. For the language of the work, although it is not necessary to read it verbally, some key words and beautiful sentences should be carefully studied and understood. Du Fu’s verse: “With the wind sneak into the night, moistens the objects and is silent.” The “dive” and “fine” words accurately describe the gentle character of the spring rain, and how ingeniously conveyed the author’s affection for the spring rain. . Li Qingzhao’s words in “Sounds and Sounds Slow”: “In search of jealousy, desolate, miserable, sad, miserable”, and even using seven overlapping words to write out how sad and painful the heart is, it can be called a suicide sentence on the subject of suffering. Not only poetry