狄金森的书信与其诗歌一样,从内容、语言到格式都表现出对传统的颠覆。她赋予书信诗性节奏和诗性语言,偏离了以信息交流为目的的书信传统。而书信内容隐晦,措辞委婉,所指含混,既造成读者理解上的困难,又激发读者参与其意义的建构,书信话语因此具有对话性和开放性。本文从文体越界和意义空白的角度,分析了狄金森书信中展示的审美价值和读者在意义建构中的作用。 Like Dickinson’s epistles, Dickinson’s epistles show subversion to tradition from content, language to format. She gave the poetic rhythm and poetic language of letters, deviating from the tradition of letters and letters for the purpose of information exchange. The obscure etiquette, euphemism and ambiguous etiquette not only make readers understand difficulties, but also inspire readers to participate in the construction of their meaning. As a result, syllabic discourse has the characteristics of dialogue and openness. This article analyzes the aesthetic value of Dickinson ’s epistles and the role of readers in the construction of meaning from the perspective of stylistic transgression and meaninglessness.