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中国画在宋代达到高峰,这个高峰分明标示了山水画的总体原则;水墨、写意;水墨是制作技法,写意是表现原则。但并非所有画家都能在这个原则下,充分展示各自体悟,并将其推向一定的艺术高度;只要看看千年来的山水画史,那种山河依旧、千篇一律的普遍现象,确实令人抱愧,而大师巨匠寥寥无几。 无疑,这是当代山水画家反思历史后所面对的尴尬。它的反作用,成为当代画家思考、探索的动力,虽然依旧循着水墨、写意的道路与原则,不同的是,他们执意于出新与创意,使山水画逐渐拂去传统的尘埃,现出了新异的面貌,成为当代精神文化的重要部分。
Chinese painting peaked in the Song Dynasty. This peak clearly marked the overall principle of landscape painting; ink and wash, freehand brushwork, ink and wash technique, and freehand brushwork were the principles of expression. However, not all artists can fully demonstrate their own understanding under this principle and push it to a certain artistic height. It is really ashamed that the picturesque landscape of mountains and rivers should be as long as we can see the history of landscape painting over the past thousand years. Few master masters. Undoubtedly, this is the embarrassment faced by contemporary landscape painters after reflecting on history. Its reaction has become a driving force for contemporary painters to explore and explore. Although they follow the road and principles of ink painting and freehand brushwork, the difference is that they perseverance in innovation and creativity, and the landscape painting gradually festers the traditional dust, showing a new Different appearance, an important part of contemporary spiritual culture.