我们看到过纯粹追求精神情感,升华生命诗意的雅电影,如《死神与少女》之类:在红色的晨曦里,秋风吹落了金黄色的树叶,曾一度想辞别人世的女主人公,拉起了象征重鼓生活信心的小提琴,坚毅而优美的旋律,与画面交织在一起,歌咏着精神生命向死亡挑战的勇气。(见影片《死神与少女》)这类影片让嗜好诗情画意的观众沉醉其中,动情忘怀……我们也看过挖苦“高雅”“优美”的俗电影,如《顽主》一类:在作家诗人没有到会的情况下,玩玩乐乐的小青年们,在舞台追光的照射下,学着作家诗人的样子,朗诵了几句诗歌,一样地造成庄严诗意的氛围,一样使观众肃然 We have seen the pure pursuit of spiritual emotion, the sublimation of poetic life, such as “Death and Maiden”: In the red dawn, autumn wind blown golden leaves, once wanted to bid farewell to the heroine of the world, pull Played a symbol of heavy drum confidence in life violin, perseverance and beautiful melody, and the picture intertwined, singing the spiritual life of the courage to challenge death. (See the film “Death and the Maiden.”) These films have indulged in poetic audiences and have forgotten their emotions ... We also read vulgar films such as " In the absence of a meeting, young people who play and play together, under the illumination of the stage chasing light, learn to look like writers and poets and read a few poems alike, creating a solemn poetic atmosphere in the same way that arouses the audience