提起革命历史题材影片,我们总会想起“宏观叙事”“史诗式叙事”这些词眼。经过多年的艺术探索,革命历史题材影片似乎形成了一个固定的创作模式———面面俱到歌颂伟人的丰功伟绩。这样的创作虽然在一定时期内取得了轰动效应,但是随着时间的推移,逐渐地陷进了创作的困境——— When we bring up the films about revolutionary history, we always think of these words of “macro narrative” and “epic narrative.” After many years of artistic exploration, it seems that the film on the revolutionary history has formed a fixed mode of creation --- all the great achievements of praising great people. Although this creation has made a sensational effect within a certain period of time, as time goes by, it gradually plunged into the dilemma of creation ---