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许:您作为中国工艺美术学会的主管领导之一,又曾担任北京工美集团的副总,在工艺美术行业管理与文化产业经营方面,都积累了丰富经验。请您就此对我国工艺美术的当前状况与未来发展,做概括性介绍。唐:工艺美术作为我国传统文化的重要组成部分,一直以高超的技艺与文化内涵,为我国的文化事业发展做出了重要贡献。改革开放后,工艺美术开始成为一种商品文化,满足了生产生活需要的同时,也满足了市场收藏的需要,成为推动
Xu: As one of the chief leaders of the China Arts and Crafts Society, you served as the vice president of Beijing Gongmei Group. You have accumulated rich experience in the management of the arts and crafts industry and the operation of cultural industries. Please give a general introduction to the current situation and future development of arts and crafts in our country. Tang: As an important part of Chinese traditional culture, arts and crafts have always made outstanding contributions to the development of China’s cultural undertakings through their superb skills and cultural connotations. After the reform and opening up, arts and crafts began to become a commodity culture, to meet the needs of production and living, but also to meet the needs of the market collection, a promotion