一、基调是小说演播的核心基调,在播音主持与小说演播工作中会时常接触到这个名词,很多时候,初学者都会对基调存在一种比较模糊的认识,说不太清楚,总觉得像雾里看花,似有又无。如果要让他们说出来的话,大概会听到“基调,就是一种感觉,一种语气或者语调”等等这样模棱两可的说法。在教学中,有些学生在学习演播的时候,往往不去分析作品的基调,“见字生情”拿过来就读。比如,高尔基作品《海燕》的第一句:“在苍茫的大海上……” First, the keynote is the core tone of the fictional performance in the radio host and novel work will often come into contact with the term, many times, beginners will have a more vague tone of understanding, that is not clear, always felt like a fog Look at flowers, it seems there is no. If you want them to say it, you will probably hear the ambiguity that “tone is a feeling, a tone, or a tone.” In teaching, some students often do not analyze the tone of the work while studying the studio. For example, Gorky works “Petrel” the first sentence: “in the vast sea ... ”