广播剧在我国经历了半个多世纪的发展,但比起话剧、电影来,还属于年轻剧种。在受众中,应该说广播剧还是有一定影响的,但还没有引起广泛的关注和重视,理论研究尚欠缺。由于广播剧只能用声音而不能用画面塑造人物、再现故事情节,表现手法单一;因此,一些有影响的剧作家很少侧重广播剧创作。但广播的独特声音魅力是其他媒体所不可替代的,尤其是随着立体声调频广播的开通,广播的音质、音色更趋于完美,尤其是车载广播的不断普及,以及网络在线收听的新模式的介入,广播收听已由单一化向多元化转变,广播剧作为广播节目的一个重要元素,正不断被受众认知。 Radio drama in our country has experienced more than half a century of development, but compared to drama, film, but also belong to the young drama. In the audience, it should be said that the radio drama still has a certain impact, but it has not aroused widespread concern and attention, theoretical research is still lacking. Because the radio play can only use the sound and can not use the screen to shape the character and reproduce the story, the performance is simple; therefore, some influential playwright seldom focuses on the radio play creation. However, the unique sound charm of broadcasting is irreplaceable by other media. Especially with the opening of stereo FM radio, the sound quality and sound quality of broadcasting tend to be perfect. In particular, the continuous popularization of car radio and the new model of network online listening Intervention, radio listening has changed from a single to diversified, radio and television broadcasting as an important element of programming, is constantly being recognized by the audience.