中国传统壁画曾经灿极一时,源远流长。其兴于汉晋,而盛于唐宋。时至今日,仍有宋、元、明的壁画佳作存世,以宗教题材为主的寺观壁画为其中一大宗,诸如岩山寺壁画、永乐宫壁画等寺观壁画正是这种绘画形式的杰出典型,代表了当时高超的技艺和精神文化。但令人喟叹的是,昔日辉煌的壁画艺术已日渐衰微,许多技艺憾失民间,这一传统艺术亟待传承与复兴。壁画艺术的传承是有其历史轨迹和意义的。通过对壁画的修复、复建和学术研究,我们既可做到艺术的薪火相承,又可创新和突破已有的艺术技法和思维。以敦煌壁画为例,1944年国立敦煌艺术研究所建成后,所长常书鸿先生以及一批艺术大家如张大干、董希文等,赴敦煌进行壁画的临摹工作,期间以保护为主,量力取材,更是改进了临摹方法,在技巧上取得突破。此举不仅保留了敦煌壁画的原样,并提供给研 Traditional Chinese murals have a very long history, has a long history. Its prosperous in the Han and Jin Dynasties, but Sheng Tang and Song. So far, there are still Song, Yuan and Ming fresco masterpieces surviving, temples and murals mainly religious themes as one of the bulk, such as the rock temple murals, temples and other Temple murals is the outstanding example of this form of painting, Represented the then superb skills and spiritual culture. However, it is astonishing that the fantastic mural art in the past has been declining gradually and many arts have regrettably disappeared from the people. This traditional art needs to be inherited and rejuvenated urgently. The heritage of mural art has its historical track and significance. Through the restoration, restoration and academic research of murals, we can not only inherit the torch from the art, but also innovate and break through the existing artistic techniques and thinking. Take Dunhuang murals as an example. After the establishment of the National Institute of Dunhuang Art in 1944, director Chang Shuhong and a group of artists like Zhang Dagan and Dong Xiwen went to Dunhuang to carry out mural copying works. , But also improved the copy method, made a breakthrough in the skill. The move not only retained the original Dunhuang murals, and to provide research