面临大众文化浪潮的冲击,儿童剧创作如何一方面坚持“以儿童为本位”的观念,另一方面又要对传统有所突破,以适应新的环境、谋求新的发展呢?本文试图以中国福利会儿童艺术剧院为样本,对二十多年来的创作进行一番检视,通过其若干题材的创新,探讨经验与得失,希冀能对今后中国儿童剧的发展带来有益的启示。 In the face of the impact of pop culture, how does the creation of children’s play insist on the concept of “child-based” on the one hand, and on the other hand make breakthroughs in tradition in order to adapt to the new environment and seek new development? Taking the Children’s Art Theater of China Welfare Association as a sample, I review some 20 years of creation and explore some experiences and gains and losses through the innovation of some of its subjects. I hope this can bring beneficial enlightenment for the future development of Chinese children’s drama.