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本文通过对南部俊安的海报设计作品与相关文献来分析其设计作品中减法、加法的运用与演变、设计作品中流露出的极为优雅的律动情调与闲逸气息以及静动间具视觉音乐化特性。文化成为形式与精神的根基,设计师则通过设计显露文化深层情感,不同群体,表现出不同的情感差异,当情感经验通过技术支持,则能源源不绝地创造更精彩的文化高度。本研究发现南部俊安在设计形式上通过“形、音、意”三感合一,并特别重视“意”的传达,以形为纲、音作维、意成轴,组织成坚实、丰厚又影响深远的作品风格,开创更深远宽广的现代设计概念,发挥极致的沟通与协调能力,在设计界掀起阵阵涟漪。
This paper analyzes the design and application of subtraction and addition in its design works through the design work and related literature of southern Annan posters, the extremely elegant rhythm and leisure atmosphere in the design works and the visual music features . Culture has become the foundation of form and spirit. Designers, through designing and revealing deep emotions and different groups of cultures, show different emotional differences. When emotional experience passes technical support, they can create more wonderful cultural experiences without a break. The study found that Junan in the south passed the three senses of “shape, tone, meaning ” in the design form, and paid special attention to the communication of “meaning ”, taking shape as the key, tone as the dimension, Into a solid, generous and far-reaching style of work, to create more far-reaching broad concept of modern design, play the ultimate communication and coordination skills, set off waves in the design industry ripples.