广场、剧场、留声机、收音机、电影、电视、网络……戏曲沿着这一路走来感到的是既欣喜又尴尬，欣喜的是文化载体的变迁带给戏曲更多的传播途径和发展空间，尴尬的是发展的步伐需要更多可以摆脱传统惯性的灵性加入才会更矫健．然而这种灵性的产生在今天这个数字化的时代仍然是 The theater, the gramophone, the radio, the movie, the television, the network ... The drama came to feel along this way is both joyful and embarrassed. It is gratifying that the change of cultural carrier brings more spread and development space for the opera, which is embarrassing The pace of development requires more spirituality to get rid of the traditional inertia to be more vigorous. However, this generation of spirituality is still today in this digitized era