本文从两个方面探讨叶文玲的小说语言：一是对其小说文本的呈现进行描写性的追问，揭示出其小说语言如毛蓝布做就的围腰，散发着浓浓的乡土气息和女性气息；二是对其创作态度进行“双边”追问，阐述了“语言神圣”、“语言游戏”、“语言狂欢”的优劣得失及其对当前文学语言、日常语言的现实意义。 This article explores Ye Wenling’s fictional language from two aspects: one is to make a descriptive inquiry into the presentation of her novels’ texts, revealing the girth of his novels, such as the blue cloth, exuding a rich local flavor and femininity The second is to pursue “two-sided” questions about his creative attitude, expounding the pros and cons of “language sacredness”, “language games” and “language orienteering” and its practical significance to the current literary language and everyday language.