论文部分内容阅读
刀马旦中的“旦”是女性表演者的角色,这种字面意义上的旦是各种年龄段女性角色的集合体。由于其多重身段工架、气度神情、跌扑翻打和身手矫健骁勇,因此,声腔演唱中用气与发声的矛盾、发声与吐气的矛盾、腔与情的矛盾就显得比正旦、花旦、闺门旦、老旦等其它女性角色更加突出[1]。刀马旦所扮演的人物对象多是巾帼英雄。这种英雄形象不仅有超强的武艺,而且能够表现骑马提刀的飒爽英姿,扮演的大多是大元
The “Dan” in the knife Maddan is the female performer’s role, a literal denomination of female characters of all ages. Due to its multi-body frame, tolerance look, flutter flutter and vigorous bravery, so the vocal concert in the conflict between the use of gas and sound, vocal and exhale the contradiction, the contradiction between cavity and love than the positive Dan, Dan Dan, boudoir Dan, Lao Dan and other female characters more prominent [1]. Knife Ma Dan played more than the characters are the heroine. This heroic image is not only super martial arts, but also to show the valiant and arrogant riding knives, played mostly Tai Yuen