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这个展览标志了张大力艺术实验中的一个新项目的起点,通过系统调查照片的修改和所使用的方法,反思中国现代视觉文化的机制。自从照相技术在19世纪中叶被发明并被广泛地运用到新闻、广告、艺术以至于普通人的生活中,它超越了以往所有模拟现实的美术手段,甚至取代了现实,以摄影图像构成了作为认知对象的现实世界本身。虽然研究摄影史的学者不断提醒我们这种取代和构成的人为性和功利性,但是当我们看到一幅照片的时候(特别是在看到所谓的“新闻照片”、“历史照片”和“私人照片”的时候,我们的直接反应仍然是:这是真的,这是我。
This exhibition marks the starting point for a new project in Zhang Dali’s art experiments to reflect on the modern visual culture in China by systematically investigating changes to the photos and methods used. Since the invention of photographic techniques in the mid-nineteenth century and their widespread use in the life of news, advertising, art, and even ordinary people, it has surpassed all previous art of simulated reality and even replaced the reality of taking photographic images as The real world of cognitive objects themselves. Although scholars studying photographic history are constantly reminding us of the human and utilitarian nature of this substitution and composition, when we see a photograph (especially when we see the so-called “photo”, “historical photograph ”And “ Private Photos ”, our direct response is still: This is true, this is me.