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舞蹈之“势”的心理趋向是唤起舞蹈表演和舞蹈欣赏的源头,心理势能的不断扩张,造成了舞者“重内”的审美追求以及观众无限的审美期待。文章从演员与观众两个角度作为切入点,探索并分析演员对舞蹈之“势”的心理驾驭能力以及舞蹈之“势”在审美主体的艺术欣赏过程中所带来的心理影响,力求达到“心”与“势”合,“情”与“势”合,使审美主客体融为一体。
The psychological tendency of dance “potential ” is to arouse the source of dance performance and dance appreciation. The continuous expansion of psychological potential energy has caused the aesthetic pursuit of dancers “heavy inner ” and the infinite aesthetic expectations of the audience. From the angle of actor and audience, the article explores and analyzes the psychological influence of the actors on the psychic ability of dance and the potential of dance in the artistic appreciation of the aesthetic subject , And strive to achieve “heart ” and “potential ” together, “love ” and “potential ” together, so that aesthetic subjects and objects into one.