一贾平凹向来喜欢在细密的文字中插入闲笔,在平静的日常里加些摇曳。他的小说,人物往往会在匆忙之际、散漫之中,骂骂哑巴,瞪瞪瞎子,打鸡撵狗,把紧致的故事进程偶然打破一下,以收幽默之效。更讲究的闲笔,是在涉及的小小物事背后,埋藏上隐喻和暗示,或者这些小物事干脆就是一根不起眼的导火线,提示故事的走向。《带灯》里的昆虫世界, Jia Pingwa has always liked to insert a free-wheeling pen into the delicate text and sway in the calming routine. His novels and characters are often in a hurry, scattered, cursing mute, staring blind man, playing chicken 撵 dog, the process of tightening the story accidentally break to close the humor effect. More elaborate idiots, behind the little things involved, buried metaphors and hints, or simply these small things is a humble fuse, suggesting that the story’s direction. The “Insect World” in “Lantern”