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1.在英国,对戏剧的感受主要是通过看戏(到剧场看完整版和在网站看片段)以及阅读理论两个途径。每每在看戏前,我会尽可能了解一些这个戏剧的立体的背景知识,而英国发达的戏剧传媒总会让你满意的,很少出现信息的盲区。这个资讯网络是权威和民间并重的。如在英国,著名的Theatre Record和Timeout、剑桥出版的国际戏剧研究刊物、专门研究表演的戏剧刊物TDR(在上海戏剧学院图书馆里也有)、女性主义戏剧杂志《妇女和表演》、《戏剧和表演研究》等应有尽有。除
1. In Britain, the feel of theater is mainly through the theater (see the full version of the theater and the section on the site) and reading theory. I often try to understand some of the three-dimensional background of this drama as often as I can before watching a movie, and the blind area where information is scarce appears to be satisfied by the well-developed theater and media in Britain. This information network is both authoritative and non-governmental. Such as the famous Theater Record and Timeout in England, the international theater research publication Cambridge, the drama series TDR (also in the Shanghai Academy of Drama Library), the feminist drama magazine Women and Show, Drama and Performance Studies "and much more. except