荷兰艺术家罗纳德·欧菲维斯作品中显示出来的是基于历史事实而想象的暴力:两位士兵在卫生间射杀一名男子、斯雷布雷尼察大屠杀、狱中强奸、死亡集中营中疟疾受害者忍受的苦难,别斯兰惨案,东欧妇女买卖等等罪行。然而,当观者在注视画面中的主人公时,便会感觉到一种认同。在本文中,艺术家将向我们阐述这种情感宣泄的方式,选择这类主题的原因及其作品的完成过程。文末是理查德·莱迪尔对欧菲维斯《比克瑙II》一画的评述。 The work of Dutch artist Ronald Ophelis shows violence based on historical facts: two soldiers shot a man in the bathroom, the Srebrenica massacre, prison rape, death camp The suffering endured by the victims of malaria, the tragedies in Beslan and the sale of women in Eastern Europe. However, when the viewer looks at the protagonist in the picture, he or she feels a sense of identity. In this article, the artist will explain to us the ways in which this emotion catharsis, the reasons for choosing such topics, and the completion of their work. At the end of the article, Richard Ledier commented on a picture of Obfié “Birkenau II”.