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人类文化具有传承性,审美和文学艺术同样是在悠久的历史积淀基础上向前发展的。在当代媒介环境中,艺术家的个体身份和艺术创作与社会群体、民族文化是一种什么样的关系?个体在何种程度上是独立的?我们应当在何种前提下才能更有针对性地讨论艺术创新?很显然,无论是从个体成长还是艺术发展的维度上看,这些问题都非常重要、非常复杂,也非常现实。因此在我看来,夏秀著《原型理论与文学活动》(中国社会科学出版社2012年7月版)一书的探索,就具有了特殊的理论意义和实践价值。
Human culture has inheritance, aesthetics and literature and art are also based on a long history of accumulation based on the development. In contemporary media environment, what is the relationship between the artist’s individual identity and artistic creation and social groups and ethnic cultures? To what extent are individuals independent? Under what conditions should we be able to target more specifically DISCUSSION ART INNOVATION? Obviously, these issues are very important, very complex and very realistic, both in terms of individual growth and artistic development. Therefore, in my opinion, Xia Xiu’s exploration of “Prototype Theory and Literary Activities” (Chinese Social Science Press, July 2012 edition) has a special theoretical and practical value.