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傅文俊是坚持用摄影镜头来陈述自己艺术观念的艺术家。在他的作品中,记忆作为艺术的功能之一,仿佛总是被他不厌其烦地凸显出来:已经被废弃的工业设备,立即就要被现代化浪潮淹没的旧城、遗留着生活痕迹的面孔……不仅仅是传统意义上再现式的记忆,傅文俊重视的是时间在物体上的刻痕,这些刻痕就是自然力量要毁灭记忆的步骤之一。傅文俊的作品似乎妄想与自然界的失忆进行较量。敏感的观者根据他图像中的刻痕提示便可以从中对照自已的审美与文化价值判断,回忆起记忆中的失忆。
Fu Wenjun is an artist who insists on using photographic lens to express his idea of art. In his works, memory, as one of the functions of art, seems to have always been hesitantly highlighted: the industrial equipment that has been abandoned, the old city that is immediately overwhelmed by the tide of modernization, the traces of life left behind ... Not only is the traditional memory of the reappearance, Fu Wenjun focuses on the time marks on the objects, and these scars are one of the steps that natural forces destroy memories. Fu Wenjun’s works seem paranoid and memory of nature in the contest. Sensitive viewer according to the scoring in his image tips can be compared with their own aesthetic and cultural value judgments, memories of memory loss.