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本文以香港喜剧《黑玫瑰对黑玫瑰》为个案研究,分析了20世纪90年代香港电影中存在的两种空间属性:一种是后现代手法的戏拟性的空间,它标志着香港类型电影空间表达的形式化和规范化;另外一种是对此时此地的陌生性空间的绘量与把握,这种空间既意味着影响在元语言的层面上拒绝类型化,也意味着90年代类型电影对空间表达存在的一定开放性和试探性。对两种空间的探讨为我们思考全球化背景下电影对事件的呈现与电影的类型化之间的关系提供了原创性的思考。
This paper, based on a case study of the Hong Kong comedy “Black Rose vs Black Rose”, analyzes two kinds of spatial attributes in Hong Kong films of the 1990s: one is the imagination of the postmodern approach, which marks the Hong Kong type movie The formalization and standardization of space expression; the other is the mapping and grasping of the unfamiliar space here and now. This space not only implies that the denial of typification at the level of the metalanguage is also implied, but also that of the 90’s type film There is some openness and tentativeness to the expression of space. The discussion of the two kinds of space provides original thinking for us to think about the relationship between the presentation of events and the type of film in the context of globalization.