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中国歌剧舞剧院近期上演的大型民族舞剧《篱笆墙的影子》,内容是电视连续剧《篱笆、女人、狗》三部曲的精炼,浓缩。音乐是由作曲家徐沛东创作的。这是一部完整而连贯的、散发着泥土芳香、充盈着诗意和激情的舞剧音乐。纯朴动人的旋律,丰富多彩的形象对比,起伏跌宕的情感变化,尤其是由打击乐创造出的节奏复调主题所刻画得活生生人物形象……都给人留下深刻的印象。 这部舞剧音乐为什么能获得这样的效果,是因为在这里,有两根坚实的支柱所支撑的牢固基础在起着决定性作用。其一是审美基础,其二是作曲技法。在这两方面,作曲家徐沛东都进行了很苦的跋涉。在挑战者面前,在纷繁复杂的背景下,不随波逐流、不哗众取宠,脚踏实地地开拓着自己的创作之路。
The large-scale national dance drama “Shadow of the Fence” recently staged by the China Opera and Dance Theater consists of the refining and concentration of the television series “Fence, Woman, Dog” trilogy. Music is written by the composer Xu Peidong. This is a complete and coherent, exudes earthy fragrance, filled with poetic and passionate ballet music. Simple and moving melodies, rich and colorful image contrast, ups and downs of the emotional changes, especially by the percussion to create a rhythm polyphonic theme vivid portrayal of characters ... are left a deep impression. The reason why this ballet music can achieve such an effect is that here a firm foundation supported by two solid pillars plays a decisive role. One is aesthetic foundation, the other is composition technique. In both respects, the composer Xu Peidong conducted a very bitter trek. In front of challengers, in a complicated background, do not drift, not grandstanding, down to earth to open up their own creative path.