“写生”的概念来自西方美术。西方的风景写生就是用照相机的对焦方法,以一个画框的概念圈住场景中你认为最精彩的部分来进行对景描绘。与此相对,中国画的写生却是另一种观察自然的方式。写生,是艺术家了解自然、表现自然的手段。写生作为画家的必修课,是伴随一生的事情,是永远没有停顿地行走。需要画家走出画室去拥抱自然、了解自然、跟自然对话,把情感的东西挖掘出来,把山川内在的力量挖掘出来。山水画离不开一个“游”字。游,就是说它是 “Sketch” concept comes from Western art. Western landscape painting is the use of the camera’s focus method, the concept of a frame around the scene you think the most exciting part of the scene description. In contrast, Chinese painting is another way of looking at nature. Sketching is a means for artists to understand nature and express nature. Sketching as a painter’s compulsory course is accompanied by a lifetime of things, never stop walking. The artist needs to get out of the studio to embrace nature, learn about nature, talk to nature, excavate things of emotion, and excavate the inner forces of mountains. Landscape painting is inseparable from a “travel” word. That is to say it is