诗歌,在所有文学样式中是一种主情和擅于抒情的样式。驾驭这种样式的审美主体,他的心理建构、表现、特点和作用,值得作专门研究。比如说“逆挽”、“错乱”等反常的诗学现象、就有着深刻的心理依据、美感效应和独特的审美发现。对此,本文将分别予以论述、以促进文学创作和鉴赏能力的提升。 Poetry, in all literary styles is a kind of sentimental and good at lyrical style. To master this style of aesthetic subject, his psychological construction, performance, characteristics and role deserve special study. For example, “anti-pull”, “confusion” and other anomalous poetics, there is a profound psychological basis, aesthetic effects and unique aesthetic discovery. In this regard, this article will be discussed separately to promote literary creation and appreciation of ability.