电影的改编理论相较于创作实践往往具有滞后性,学界关于电影改编是否应该忠实于文学原著的争论一直未有定论。近年,电影改编作为一种对小说文本新的读解和阐释的创作方法,注重主体参与的富有创造性的书写方式愈加引发学界的关注。本文结合具体导演和理论家关于改编的不同看法,对导演的创造性书写在电影改编中发挥的重要作用进行探讨。 The adaptation theory of movies is often lagging behind that of writing practice, and the controversy over whether the adaptation of movies should be faithful to the original literature has been inconclusive. In recent years, film adaptation, as a creative approach to new interpretation and interpretation of fictional texts, has drawn more and more attention from the academic circles. In this paper, different directors and theorists about the adaptation of different views on the Director’s creative writing plays an important role in the film adaptation.