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本文是为笔者面对《女武神》终曲[《女武神》的终曲范围在一、二次探讨中,均被笔者限定为从第三幕第三场沃坦的唱段“再见,勇敢又美丽的女儿”起至全剧落幕]的再次探讨。在一次探讨中,笔者对主导动机进行了独立呈列与分别描写,进一步提出并尝试作答有关主导动机的结构功能与审美过程中的感性结构力等问题,最终折返至对聆听方式的追索。二次探讨将在此基础上对《女武神》终曲展开感性经验描写,由此再涉感性结构力的意指与聆听方式的寻觅,期以在眼观他者、耳闻绝对和手触己心的反思过后,得着新的启示。
This article is for the author in the face of “Valkyria” finale [“Valkyrie” finale in the first and second exploration, were limited by the author from the third scene of the third vuitton singing “goodbye, brave Beautiful daughter ”until the drama ended] once again discussed. In a discussion, the author made an independent presentation and separate description of the dominant motivation, and further proposed and attempted to answer the questions about the structural function of the dominant motivation and the emotional structural force in the aesthetic process, finally returning to the way of listening. The second exploration will be based on the “Valkyria” the final episode of the emotional experience of depiction, and then the meaning of the emotional structure of the means and the way to find ways to look at the other, I heard the absolute and hand touch After the reflection of heart, get a new revelation.