中国绘画中诗、书、画、印的结合,是从元代文人画取得领导地位以后才逐渐形成的。画上出现文字,可以追溯到更早的汉画像石中的榜题、铭记,但这些文字都是一些用来辅助阐发绘画内容的说明性文字,它们并不在美学意义上与绘画构成一个整体。东晋顾恺之的《女史箴图》上题写的文字也属于这种情况。在唐代杜甫的诗集中有多首题画诗,这些诗是属于赠诗的性质还是直接题写在画上或画后,则无法可知,但以赠诗的可能性较大。五代杨凝式的《卢鸿草堂十志图跋》是书写在绘画后面的题跋。北 The combination of poetry, calligraphy, painting and printing in Chinese painting came into being gradually after taking the leading position in the literati painting of the Yuan Dynasty. The words appear in the paintings dating back to the earlier inscriptions of the Han statues, bearing in mind that these words are illustrative texts that assist in the interpretation of the painting. They do not constitute an integral part of painting in the aesthetic sense. This is also the case of the inscription written on “Female History Proverbs” by Gu Kai in the Eastern Jin Dynasty. There are many topical poems in Du Fu’s poems in the Tang Dynasty. Whether these poems belonged to the nature of the poetry presented or whether they were inscribed on the paintings or painted directly could not be known, but the possibility of giving poetry was greater. Five Dynasties Yang condensate “Lu Hongcao ten records and postscript” is written in the painting behind the inscriptions. north