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一、中国戏曲起源学的困境:是戏剧还是戏曲?我国学界向有戏剧概念之争。王国维于20世纪初提出“戏曲,以歌舞演故事也”的著名论断,自上个世纪中叶起引发了一场“戏曲”与“戏剧”概念的争论。任二北提出中国戏剧史的研究范围应包括“戏象”“戏弄”“戏曲”等“戏剧与具有戏剧素质”的伎艺(1)。此论立即引发反响,文众、黄芝冈分别撰文予以反驳,此后欧阳予倩、李啸仓、余从、赵斐参与辨析,均对任氏之说持有异议。1983年,任氏以同样原因再次
First, the dilemma of Chinese opera origins: drama or drama? China’s academic community to have a controversial concept of drama. Wang Guowei’s famous assertion that “drama, song and dance staging is also” at the beginning of the 20th century has sparked a controversy over the concept of “drama” and “drama” since the middle of the last century. The scope of the research on the history of Chinese drama by Ren Er-Bei should include such techniques as “drama”, “teasing”, “drama” and “drama and theater quality” (1). This theory immediately aroused repercussions, Wenzhong, Huang Zhigang were author to refute, then Ouyang Yuqian, Li Xiaocang, Yu Cong, Zhao Fei involved in the discrimination, both of Ren’s objection. In 1983, Ren was again for the same reason