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本文从叙述逻辑角度入手,发现两幅史诗毛毯实际上巧妙地运用了《吉尔伽美什、恩基都以及冥界》的叙述逻辑。而跟随吉尔伽美什的求助之旅,我们先后与希腊神话的赫尔墨斯、冥府之王和王后不期而遇,又邂逅了赫菲斯托斯,甚至目睹了阿芙洛狄特情系战神阿瑞斯。然而,这些大神均未能帮助吉尔伽美什获得成功,均未能让恩基都重返阳间。唯有天树和娜娜女神令吉尔伽美什完成了求助。按照毛毯的叙述逻辑,天树和娜娜女神的能量超过了所有神灵,是能够令人类战胜死亡,获得永生的唯一神灵。据此,可以得出结论,这两幅毛毯展现的画卷,正是天树之下娜娜女神的宣言。
Starting with narrative logic, I find that two epic felts actually use the narrative logic of “Gilgamesh, Enquiri, and Underworld.” And to follow the Gilgamesh journey of help, we met with the Greek mythology Hermes, King of the Hades and the Queen accidentally met, and met Hephaestus, and even saw Aphrodite special circumstances Department of God Ares. However, none of these great gods helped Gilgamesh succeed, failing to return Enqui to the Sun. Only the sky tree and Nana goddess so Gilgamesh completed help. According to the narrative logic of the felts, the goddess of trees and Nana’s energy surpassed all spirits and was the only deity able to conquer death and gain eternal life. Accordingly, it can be concluded that the two blankets to show the picture, it is the goddess Nana Goddess Declaration.