论文部分内容阅读
中国画的发展实离不开品评,画理和画法皆可以归为品评理论。中国画发展到今年,形式面貌发生了很大的变化,画家发挥自己的主观性,注重自己的内心情感的抒发,探索本土或其他艺术借鉴西方艺术,对中国画的艺术语言探索,或模仿古人,或者新模仿西方绘画,形成各种各样的面貌。归根结底是对品评理解的不同。对中国画品评的模糊性导致创作的偏离中国画的本质。当前讨论中国画的品评标准很有意义。
The development of Chinese painting is inseparable from the evaluation, painting and painting can be classified as theory of product evaluation. This year, Chinese painting has undergone major changes in its form. The painter, by displaying his own subjectivity, pays attention to the expression of his own inner feelings, explores local or other artistic explorations of western art, exploration of the artistic language of Chinese painting, or imitation of the ancients, or New imitation of Western painting, the formation of a variety of looks. In the final analysis is the different understanding of the product. The fuzziness of Chinese painting leads to the deviation of creation from the essence of Chinese painting. The current discussion of Chinese painting evaluation criteria makes sense.