海派先驱:蒲华

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艺术品市场日渐繁荣的今天,“海派”作为一个值得研究的现象重新回到我们的视线中。尽管当时有不少画家拥有一些共性,但终完“海派”不是按照某种画风而形成的派别,不同的画家因而各成面目。本刊特别开辟“海派专题”栏目,以介绍较有影响的海派画家,每期分别邀请理论、绘画及收藏界众家从不同层面进行解读,与我们一起在一个世纪后回望曾经的辉煌。 Today art market is increasingly prosperous, “Shanghai School ” as a phenomenon worthy of study back to our line of sight. Although there were quite a few artists at the time who shared some commonalities, the “Shanghai School” ended up not as a faction but as a result, different artists became different. In particular, the magazine has opened a special column entitled “Shanghai Style” to introduce the influential Shanghai-style painters, each inviting the public to study the theory, painting and collecting at different levels and read together with us one century later brilliant.
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