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德国启蒙运动对戏剧的文学化改革标志着戏剧走向精神化道路,但若过于强调文学的精神审美和教育功能,将文学归结于思想性、普遍性和抽象性,则必然忽略戏剧的感官性、具体性和个性的审美原则。德国现代剧作家为了发展全新的现代戏剧,反对抽象化和精神化,力图接近现实,采用了启蒙时代之前的戏剧形式和元素。
The literary reform of the German Enlightenment plays marked the path of drama toward spiritualization. However, if too much emphasis is placed on the spiritual aesthetic and educational functions of literature and the literature is attributed to ideology, universality and abstraction, it is inevitable to ignore the sensuality of drama, The aesthetic principle of sex and individuality. In order to develop a completely new modern drama, objected to abstraction and spiritualization, the German modern dramatist tries hard to get closer to the reality and adopts the form and elements of the drama before the Enlightenment.