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明末剧作家吴炳的著名喜剧《绿牡丹》在塑造人物形象过程中,善于发掘人物性格及人物关系中的喜剧冲突,注重人物活动的喜剧性节奏。人物的喜剧性唱词和宾白、句式长短交替、形式的重复中蕴含着质的差异。人物的喜剧性动作完美展现了戏曲舞台表演艺术之美,分合、动静交替进行。人物的喜剧性情绪曲折跌宕,起伏较大,不同情绪的突转异变也有较强的节奏感。
In the process of shaping character images, the famous comedy “Wu Pei” by Wu Ming, the playwright of the late Ming Dynasty, is good at discovering comedy conflicts in characters and characters, and focusing on the comedy rhythm of character activities. Character’s comedy libretto and guest white, sentence length alternation, the form of repetition contains a qualitative difference. The comic movements of the characters perfectly show the beauty of the performing arts of the opera stage. Character comic ups and downs of ups and downs, ups and downs, sudden changes in different emotions also have a strong sense of rhythm.