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一、“西画东渐”撼动了中国传统文人画的地位15世纪末,西方探险者打通了东西方海上通商的路线,16世纪开始,西方传教士来到中国,在传播基督教的同时,也带来了欧洲先进的科技和文化,“西风东渐”也带来了“西画东渐”的效果。清代初期,以“四王”为主的文人画派统领着整个画坛,他们虽技法功力较深,但崇尚摹古,作品过于程式化。“西画东渐”使得一些有志之士开始反思,曾经对“四王”批判最激烈的
1. Western painting east gradually shaken the position of Chinese traditional literati painting At the end of the 15th century, Western explorers opened up the route of the east-west maritime commerce. From the 16th century onwards, Western missionaries came to China and at the same time spread Christianity Brought advanced science and technology and culture in Europe and brought “westward eastward gradient” effect. In the early Qing Dynasty, the literati painting school dominated by “Four Kings ” led the entire painting circle. Although they were skilled in technique, they advocated copying ancient works and the works were too stylized. “Western painting east gradually ” makes some people with lofty ideals to begin to reflect, once criticized “four kings ” the most intense