人物形象通过所有不断变化的艺术风格和主题,画家和雕塑家们似乎返回了一个基本的出发点,对裸体人物形象的研究。米开朗琪罗的《大卫》只是由文艺复兴对希腊人关于精神的完美应由人体的完美来表现的信念的重新发现所产生的无数变体之一。然而它已成为艺术中的最著名的形象之一,不但在摄影中而且在小型石膏像中几乎随处可见。在这类复制品中,原作的微妙之处与勃勃生机不免要 Characterization Through all the constantly changing artistic styles and themes, painters and sculptors seem to have returned to a basic starting point for the study of nude personas. Michelangelo’s “David” is but one of innumerable variations of the Renaissance on the Rediscovery of the Greek belief that the perfection of the mind should be manifested by the perfection of the human body. However, it has become one of the most famous images in the art and is almost everywhere, not only in photography but also in small plaster casts. In this type of reproduction, the subtleties and vitality of the original are inevitable