《红楼梦》是中国古典小说巅峰之作,传统文化的集大成者,其中充斥了大量中国底蕴浓厚的对封建制度的描写以及诗词歌赋、文字游戏。同时,《红楼梦》也以独具中国特色的修辞使其语言具有独到的中国美学。随着中国的不断发展和开放,越来越多的外国人对于中国的文化感兴趣,《红楼梦》的翻译也因此始终受到关注。本文试以杨宪益、戴乃迭夫妇的译本,对其中用典、对偶、双关、委婉语几个修辞方面的翻译进行浅析。 “Dream of Red Mansions” is the pinnacle of Chinese classical novels, a master of traditional culture, which is full of a lot of Chinese heritage description of the feudal system and the poetry and prose, word games. At the same time, “Dream of Red Mansions” also makes its language unique Chinese aesthetics with unique Chinese rhetoric. With the continuous development and opening up of China, more and more foreigners are interested in Chinese culture. As a result, the translation of “Dream of Red Mansions” has always been concerned. This article tries to analyze the translations of several rhetorical characters, such as Code, Duality, Pun and Euphemism, with the translation of Yang Hsien-yi and Gladys.