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就发端而言,陶瓷彩绘在前而纸绢绘画在后;但就成熟而言,则是纸绢绘画在前而陶瓷彩绘在后。纸绢画高度成熟以后,反哺和回赠了瓷画,并极为深刻地影响了瓷画的发展变化。“随着宋代白描的成就而出现了宋磁州窑黑花,随着元代水墨画成就出现了元青花,随着明代成化朝宫廷绘画成就出现了成化斗彩,随着明清版画成就出现了康熙古彩,随着恽南田没骨花卉画成就出现了雍正粉彩,随着文人山水画的风行出现了晚清浅绛彩。这个动态发展的历史过程,显示了较为清晰的陶瓷绘画系统。”
In the beginning, the ceramic painting in the forefront of painting and silk; but in terms of maturity, it is painted in the first paper and ceramic painted in the post. After the height of the paper-silk painting matures, the porcelain paintings are repayed and donated, and the development and changes of the porcelain paintings are greatly influenced. With the achievements of the white sketches in the Song Dynasty, there appeared the black porcelain of the Song Cizhou kiln. With the achievements of the Yuan dynasty, there appeared the Yuan and Qing dynasties. With the achievements of court painting in Chenghua Dynasty in the Ming Dynasty, With the emergence of the Kangxi ancient painting, with the achievements of the Yongnan cemetery, the painting of the Yongzheng pastel appeared, with the prevalence of the literati landscape painting in the late Qing dynasty. The dynamic process of historical development shows a clear picture of the ceramic painting system . "