在浩瀚的中国画发展史上有着许许多多关于中国画的笔与墨的文章与论述。在几千年的发展进化中,都在阐述着这对既并列又对立的兄弟关系,他们相互依存又相得益彰。比如,五代荆浩的笔法记、龚贤的笔墨语言探微、黄宾虹的……以及很多讲述了中国画的笔墨关系的文章。恽南田曾在“南田画跋”中说:“有笔有墨者方为画”。可见,中国画中最简单的元素——笔墨。中国画中必须有笔有墨,没有笔和墨称不上“画”。那么,笔与墨究竟是什么?有很多人疑惑,更有很多人在相当长的一段时间创作过程中并没有理解到笔与墨的关系。有人认为,中国画中笔和墨是指毛笔和墨汁,这些人的认为是初级的、不全面的,只是词意义上的笔与墨。我认为,要说清笔与墨的关系,要从工具材料的认 In the vast history of the development of Chinese painting there are many articles and discussions on the brushstrokes and ink of Chinese painting. In the course of evolution and evolution for thousands of years, both are fraternizing and opposing fraternal relations, all of which are interdependent and complement each other. For example, the Five Dynasties Jing Hao’s calligraphy, Gong Xian’s exploration of the language of the pen and ink, Huang Binhong ...... and a lot of articles on the relationship between Chinese painting pen and ink.恽 Nantian had “Nantian painting Postscript ” said: “pen and ink side for painting ”. Visible, the simplest element of Chinese painting - ink. There must be a pen and ink in Chinese painting, and no pen and ink can not be called “painting”. So, what exactly is the pen and ink? Many people wonder, many more people in a very long period of time did not understand the process of writing pen and ink relationship. Some people think that Chinese painting pen and ink refers to the brush and ink, these people think it is primary, not comprehensive, but the pen and ink of the word meaning. In my opinion, to clarify the relationship between pen and ink, we should recognize from the tool materials