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在古希腊,“艺术”是与自然、理念相关的一个概念。艺术被理解为创造的技艺,创造可分为三个方面:本原的创造、模仿和模仿的模仿。在《理想国》中,柏拉图肯定了本原的创造和模仿,批判了模仿的模仿,并将诗和诗人逐出理想国。在《九章集》五卷八章中,普罗提诺探讨了雕像艺术,将艺术提升到理智界,并将艺术美追溯到太一本体之中。在太一-理智-灵魂的流溢之中,艺术是科学和生命的本原,来自至善之光的理智美是对最高智慧的呈现。普罗提诺对雕塑艺术的探讨重新整理了柏拉图的艺术观,确立了艺术的原初创造性价值。与此同时,普罗提诺的艺术美观念,为史诗、绘画和戏剧的本体论美学的探讨提供了载体。
In ancient Greece, “art” is a concept related to nature and philosophy. Art is understood as the art of creation. Creation can be divided into three aspects: the imitation of primitive creation, imitation and imitation. In “The Dreamland,” Plato confirms the creation and imitation of the original, criticizes the imitation of imitation, and extirpates the poet and poet from the ideal nation. In Episode 8 of Chapter Nine, Plotin explored the art of figurines, elevating the art to the intellectual world, and tracing the beauty of art back to being too much of an ontology. In too one - reason - spilled soul, art is the origin of science and life, the beauty of the intellect from the supreme light is the presentation of the highest wisdom. Plotinus’s discussion of the art of sculpture reshuffled Plato’s view of art and established the original creative value of art. In the meantime, Plotinus’s concept of artistic beauty provides a vehicle for exploring the ontological aesthetics of epic poetry, painting and drama.