论文部分内容阅读
继国家多次收藏高公博先生的黄杨木雕佳作之后,收藏界越来越多地关注他的作品了。公博前不久获得国家授予的“工艺美术大师”称号。一些从事高等美术教育和美术研究的专家、教授,对他的创作正在进行认真的研究。他的创作活动是近15年来发生在我国黄杨木雕领域的奇特现象,代表着一种积极开拓、健康高雅、天人合一的创作趋势。黄杨木雕是我国历史悠久的民间工艺雕刻品种,经过近千年的积累,到明清已经成熟并逐渐定型。成品以人物居多。精雕细刻的写实人物,一味讲究线条的柔美流畅,追求“行云流水”似的艺术效果。高公博跨入这个行当时,就黄杨木雕整体而言,创作已处停滞状态,各地劲吹仿古之风。他不得不跟着师傅一块儿仿古。
Following the national collection of Mr. Gao Gongbo boxwood carving masterpiece many times, the collector community more and more concerned about his work. Shortly before the public access to the state won the “Master of Arts and Crafts” title. Some experts and professors engaged in advanced art education and fine arts research are conducting serious studies on his writing. His creative activity is a peculiar phenomenon occurred in the field of wood carving of China’s boxwood in the past 15 years and represents a creative trend of active exploration, health, elegance and harmony between man and nature. Boxwood carving is a long history of our country folk carving varieties, after nearly a thousand years of accumulation, to the Ming and Qing Dynasties has matured and gradually stereotypes. Finished products to the majority of people. Carved realistic figures, blindly lines soft and smooth, the pursuit of “smooth” like artistic effect. When Gao Gongbo stepped into this business, his work was stagnant on the whole of Boxwood wood carvings. He had to follow the master together antique.