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“85新潮”以降,中国艺术界骤患强迫症,艺术开始“有思想”、开始有追求“自我身份认同”的冲动了。尤其是在被命名为“中国观念艺术”的先锋实验领域,种种迹象表明,作为“后社会主义”阶段或精神上刚刚从政治意识形态中解脱出来的艺术形态,其最后仍然不过是一则包含着巨大反讽与悖论信息的暧昧的“寓言”。它浓缩了所谓“本土当代艺术”建构的最大真理,同时也承载着这一建构本身所天然蕴藏的最大的谎言。
“85 trendy ” to decline, the Chinese art community suffering from obsessive-compulsive disorder, art began “thinking ”, the pursuit of “self identity” the impulse. Especially in the field of pioneer experiments entitled “China Conceptual Art”, there are indications that the art form that has just been released from political ideology as a “post-socialist” stage or spirit has just ended Is an ambiguous “allegory ” that contains a great irony and paradox of information. It concentrates the greatest truth constructed by the so-called “native contemporary art” and at the same time carries with it the biggest lie that is inherent in the construction itself.