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分析大师作品无疑已成为当今高校美术相关专业基础教学的有效方法和手段,其中不仅包涵了各个时代的绘画观念,更呈现出千变万化的技术与技法材料。之于油画色彩体系来说,“印象派”绘画的色彩理念显然在西方美术史中是个大的分水岭,也恰恰是这个时期西方绘画的色彩理论体系得以形成和完善。本文所探讨的核心议题即是印象派画家普遍遵循的色调、色彩对比调和的构成规律问题。色彩调和,一般来说是指色彩的量比关系和秩序
Analysis of master works has undoubtedly become an effective method and means of basic teaching of fine arts-related majors in colleges and universities. It not only includes the concept of painting in all ages, but also exhibits ever-changing materials and techniques. For the oil painting color system, the color concept of “Impressionism ” painting is obviously a big watershed in the history of western art, and it is precisely the color theory system of western painting which is formed and perfected in this period. The core issue discussed in this article is the law of the color tone and the contrast of color contrast that the Impressionists generally follow. Color harmony, in general, refers to the amount of color than the relationship and order