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八大山人的绘画艺术把泼墨大写意花鸟画画风推向了一个新的高峰,对后世产生了深远的影响。其花鸟画图式,作为一种极具隐喻特点的语言样态,打破了中国画近千年来程式化的表现模式,更新了中国画传统审美思维。八大山人的花鸟画图式所呈现出的艺术特色、画面所引起的审美感受,以及图式所隐喻的精神内涵有着深刻的社会文化和心理根源。八大花鸟画图式所寓居的语境与其说是外在世界的审美观照,不如说是内在情感的物态显现,其因情造势、雄诡奇逸、极具隐喻性的花鸟画图式倾注了八大对人生的感悟和对绘画艺术的独特理解。一、时代背景及八大山人特殊的身份明末清初,文人处境较为悲惨,使文人画在表现形式上产生
The art of Bada Shanren’s painting pushed the ink-and-wash painting style of the ink-filled ink-brushs to a new peak and exerted a far-reaching influence on later generations. As a kind of linguistic style with metaphorical features, its flower and bird painting style breaks the stylized expression pattern of Chinese painting for nearly a thousand years and renews the traditional aesthetic thinking of traditional Chinese painting. The artistic characteristics of the bird and flower painting patterns of Badashan people, the aesthetic feelings caused by the pictures, and the spiritual connotation of the metaphorical style of the drawings have profound social, cultural and psychological roots. It is not so much the aesthetic appearance of the external world as that of the external world, but rather the embodiment of the Eight Flowers and Birds Paintings, The perception of life and unique understanding of the art of painting. First, the background of the times and the special status of the Badashanren Mingqun and early Qing dynasty, the tragic situation of the literati, the literati painting in the form of expression