论文部分内容阅读
汤显祖《牡丹亭》是中国古代戏曲中的佳作,汤显祖也对《牡丹亭》评价颇高,在后世文学发展中,《牡丹亭》也一直以绝对优势占据文学一席之地。在《闺塾》这一出中,没有惊心动魄的感动也没有连篇累牍的名词佳句,古往今来的戏迷们都被这一出的幽默风趣所感染。在这一出中,杜丽娘、春香、陈最良的人物形象也都表现出了丰富的立体性、血肉感。
Tang Xianzu “The Peony Pavilion” is a masterpiece in ancient Chinese drama. Tang Xianzu also commented highly on the “Peony Pavilion”. In the later literature development, “The Peony Pavilion” also occupied the position of literature with absolute superiority. In the “Boudoir” this one, there is no soul-stirring move nor the words of sentence after word, ancient and modern fans have been infected by this out of humor. In this one, Du Li Niang, Chun Hong, Chen Liang figures also showed a wealth of three-dimensional, flesh and blood.