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相比同时代的苏联作曲家,谢尔盖·普罗科菲耶夫(Sergei Prokofiev,1891—1953)所涉足的创作领域更为广泛,不仅包含了歌剧、交响乐、室内乐、协奏曲、清唱剧、钢琴独奏等几乎所有古典音乐的形式,更在芭蕾舞剧、电影配乐等方面有着非凡的成就,如他为电影《亚历山大·涅夫斯基》的配乐至今依然被后人奉为经典之作。而芭蕾舞剧创作更是贯穿了他的整个艺术生涯,并成为探究其整体艺术实践和创作风格必不可少的重要一环。遗憾的是,目前国内关于这方面的研究尚
Compared to contemporary Soviet composers, Sergei Prokofiev (1891-1953) is involved in a wider range of creative fields, including not only opera, symphony, chamber music, concerto, oratorio, Piano solo and other forms of almost all classical music, but also in ballets, soundtracks and other aspects of extraordinary achievements, such as his movie “Alexander Nevsky” soundtrack is still regarded as a classic by future generations. Ballet creation runs through his entire artistic career and becomes an indispensable part of his overall artistic practice and creative style. Unfortunately, the current domestic research on this area is still