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一就我视野所及,最早对当代江南诗歌大加推崇的重要文章,来自柏桦。在为《夜航船——江南七家诗选》作序时,他将此前在学术期刊上发表过的几篇诗人专论,整合为一篇洋洋洒洒纵谈古今的《论江南的诗歌风水及夜航七人》(以下简称《论江南》)。文中,柏桦以“信念”之笃定道出了这样的观点:“中国的诗歌风水或中国诗歌气象不仅已经转移到江南,而且某种伟大的东西就要呼之欲出……再说穿了:诗歌正宗的地位在江南。”
As far as I can see, one of the earliest articles on contemporary Jiangnan poems is highly praised by Bai Hua. When prefaced for “Night Boat - Seven Poems of Jiangnan”, he combined several poet monographs previously published in academic journals into an essay on “ Seven ”(hereinafter referred to as“ On Jiangnan ”). In the article, Bai Hua insisted on the idea of “faith”: “Chinese poetry feng shui or Chinese poetry has not only been transferred to Jiangnan, but something great is about to come to life. Putting it bluntly: The authentic status of poetry in the Jiangnan. ”