奉命为人民美术出版总社审读张燕先生《〈髹饰录〉与东亚漆艺——传统髹饰工艺体系研究》,实感力有未逮。读罢全书,有这样几点感受:一、是书立意甚高以漆艺经典《髹饰录》为轴,上溯下探,意欲穷尽八千年之中华漆艺史及东亚诸国的续创与新创。为此,需对蒹葭堂钞本、朱氏刻本、王世襄和索予明的解说作详细的校勘、注释和今译,需 He was instructed to read Zhang Yan’s book “<髹 录>> and East Asia lacquer - the study of traditional 髹 ornaments craft system” as the General People’s Publishing House of the People’s Republic of China. Read the whole book, there are several feelings: First, the book is a high degree of purpose In order to paint art classic “髹 decorative record” axis, dating back to explore the desire to exhaust eight thousand years of history of Chinese lacquer and the continued creation of East Asian countries And new. For this purpose, detailed collation, annotations and translation of this version of the scriptures of Chuanyang Church, the engraved edition of Chu, Wang Shixiang and Suo Yuming are required