四王以摹古、仿古、拟古为文化选择来观照自心。从其大多题画诗文中得见,他们几乎一生都在如履薄冰步释画之先贤。虽笔墨法度森严,却常惶恐于“不及古人一二”。今日看来,四王之迹,已成古樵利斧,游刃于万山林层。其一点一划无不深藏书法振动节律与笔墨意趣。沈文泰作为今之书画 Four King to copy ancient, antique, ancient culture as the choice of self-centered. Most of his poems from the title painting see, they are almost all thinkers in his life walking thin sage. Although the fine brushwork, but often fear “less than the ancients one or two.” It seems today, the four kings of the trail, has become an ancient Qiaoxian ax, wandering in Wanshan forest layer. Little by little it draws deep vibrations of calligraphy and pen and ink. Shen Wentai as today’s calligraphy and painting