本文结合弗吉尼亚·伍尔夫的文论,聚焦她最后一部小说《幕间》,尤其是其中舞台演出这一写作线索,探讨她对读者或称为艺术接受者作用的认识。她在接受者由精英化趋向大众化的时代,将他们作为动态的聚合体看待,强调他们的主体性与能动性,以及与作者和文本的交融关系。本文在展开其对艺术接受的整体性思考的同时,对相关原因进行了分析。 This article, based on Virginia Woolf’s literary theory, focuses on her last novel, “The Curtain,” especially the writing of the stage performances, and explores her understanding of the role of readers or art recipients. In the age when the recipients were elitized and popularized, she regarded them as dynamic aggregates, emphasizing their subjectivity and initiative as well as their relationship with authors and texts. In the meantime, this article analyzes the related reasons at the same time when launches its holistic thinking on art acceptance.